\u201c\u015eu yoksul, \u0131\u015f\u0131ks\u0131z sokaklardan ge\u00e7erken ak\u015fam\u00fcstleri<\/p>\n\n\n\n
Elimde yiyecek filesi, evime do\u011fru<\/p>\n\n\n\n
Siliniyor sanki zihnimin yorgunlu\u011fu<\/p>\n\n\n\n
Is\u0131t\u0131yor halk\u0131m\u0131n ozan\u0131 olmak duygusu i\u00e7imi<\/p>\n\n\n\n
Y\u0131pranm\u0131\u015f ellerinde bir sokak \u00e7i\u00e7ek\u00e7isinin<\/p>\n\n\n\n
Bir k\u0131rm\u0131z\u0131 g\u00fcl gibi\u201d<\/a>[1]<\/sup><\/a><\/p>\n\n\n\n Bug\u00fcnlerde \u015fiirden s\u00f6z ediyoruz; \u00e7\u00fcnk\u00fc direnmeyi gereksiniyoruz.<\/p>\n\n\n\n Direncin bir mevzii olarak \u015fiir, \u201ckaderleri\u201dne boyun e\u011fip, ya\u015fad\u0131klar\u0131na teslim olanlara hi\u00e7bir \u015fey s\u00f6ylemez. \u00c7\u00fcnk\u00fc Cemal S\u00fcreya\u2019n\u0131n, \u201c\u015eiir bir kar\u015f\u0131 \u00e7\u0131kma sanat\u0131d\u0131r,\u201d vurgusundaki \u00fczere o; asi, tutkulu duru\u015fuyla, boyun e\u011fmeyen\/ teslim al\u0131namayan uzla\u015fmazl\u0131klarla beslenir; direngen\/ vazge\u00e7meyen insanlar\u0131n s\u0131\u011f\u0131na\u011f\u0131d\u0131r.<\/p>\n\n\n\n Hat\u0131rlay\u0131n: \u201cRen\u00e9 Char, \u015fiiri bir ba\u015fkald\u0131rma eylemi olarak tasarlar, \u2018Boyun e\u011fme \u015fiiri yazmayaca\u011f\u0131m\u2019 der\u201dken;<\/a>[2]<\/sup><\/a> ekler Paul \u00c9luard da:<\/p>\n\n\n\n \u201c\u015eiir bir eylem olana\u011f\u0131, ilerleme olana\u011f\u0131 olmal\u0131d\u0131r, \u00e7\u00fcnk\u00fc \u015fiir b\u00fct\u00fcn pencerelerde, b\u00fct\u00fcn ufuklarda \u015fark\u0131 s\u00f6yler, yalana kar\u015f\u0131 ger\u00e7ekli\u011fin ve \u00f6rnekli\u011fin \u015fark\u0131s\u0131n\u0131 s\u00f6yler.\u201d<\/a>[3]<\/sup><\/a><\/p>\n\n\n\n Her daim s\u00f6z\u00fcn doru\u011fudur \u015fiir ve a\u00e7\u0131klamay\u0131 kendi yapar, \u201cgizlenerek\u201d!<\/p>\n\n\n\n Kolay m\u0131? Albert Camus\u2019n\u00fcn vurgulad\u0131\u011f\u0131 gibi \u201c\u015eiir nihayetinde sa\u011falt\u0131c\u0131 bir odun ate\u015fi\u201ddir<\/p>\n\n\n\n Sokaktan soyutlanmamas\u0131 gereken \u015fiir en iyi kelimeleri en d\u00fczg\u00fcn bi\u00e7imde s\u0131ralamak falan de\u011fildir elbet; \u015fiiri \u015fiir yapan a\u015fk ve hayat i\u00e7in iktidar(lar)a y\u00f6nelik bir yayl\u0131m ate\u015fi olmas\u0131d\u0131r.<\/p>\n\n\n\n Bu da \u015fiiri tutku ve \u0131srarla bulu\u015fturan \u00f6zelliktir.<\/p>\n\n\n\n Veysel \u00c7olak\u2019\u0131n, \u201c\u015eiirsiz toplum eksiktir, \u015fiirsiz insan yaln\u0131zd\u0131r.\u201d \u201c\u015eiir ya\u015fam\u0131n diyalektik toplam\u0131d\u0131r,\u201d<\/a>[4]<\/sup><\/a> vurgular\u0131yla ifade etti\u011fi ger\u00e7eklikte \u015faire ne ve nas\u0131l olursa olsun, geriye \u015fiiri kal\u0131r.<\/p>\n\n\n\n \u201c\u00d6zg\u00fcrl\u00fck ve refah\u0131n olmad\u0131\u011f\u0131, yar\u0131n endi\u015fesinin kol gezdi\u011fi bir \u00fclkede \u015fiir kendi yaln\u0131zl\u0131\u011f\u0131nda, kendi sesiyle avunacakt\u0131r elbet,\u201d<\/a>[5]<\/sup><\/a> ifadesindeki \u00fczere sihirli bir de\u011fnek de\u011fildir elbet \u015fiir, ama meydan okuyan, umut verendir.<\/a>[6]<\/sup><\/a><\/p>\n\n\n\n \u201c\u015eiir, do\u011fas\u0131 gere\u011fi devrimcidir,\u201d demi\u015fti Octavio Paz.<\/p>\n\n\n\n Evet, devrimcidir \u015fiir. \u00c7\u00fcnk\u00fc her \u015feydir; hayat\u0131 kucaklayand\u0131r.<\/p>\n\n\n\n Ve \u015fairin y\u00fcre\u011fi\/ bilinci yasas\u0131z, s\u0131n\u0131rs\u0131z, bayraks\u0131zd\u0131r; ezilenlerden yana saf ba\u011flayan \u015fairin yurdu, boyun e\u011fdirilemeyen vicdan\u0131d\u0131r\u2026<\/p>\n\n\n\n Tam da bunun i\u00e7in \u201cNas\u0131l bir d\u00fcnyada ya\u015farsak ya\u015fayal\u0131m, ister g\u00fczellikle kucak kuca\u011fa, ister pisliklerle burun buruna ya\u015fayal\u0131m, \u015fiir hep yan\u0131nda olacakt\u0131r insanlar\u0131n. \u015eairler bunun i\u00e7in var,\u201d notunu d\u00fc\u015fer \u0130lhan Berk\u2026<\/p>\n\n\n\n * * * * *<\/p>\n\n\n\n Do\u011fan H\u0131zlan\u2019\u0131n, \u201c\u015eiir b\u00fct\u00fcn hayat\u0131 kapsar,\u201d<\/a>[7]<\/sup><\/a> dedi\u011fi s\u00f6zc\u00fcklerin o b\u00fcy\u00fcl\u00fc, isyank\u00e2r d\u00fcnyas\u0131nda, Ataol Behramo\u011flu da \u201cUsta dizelerin, dam\u0131t\u0131lm\u0131\u015f c\u00fcmlelerin insan\u0131d\u0131r.\u201d<\/a>[8]<\/sup><\/a><\/p>\n\n\n\n Ge\u00e7mi\u015ften bug\u00fcnlere eksi\u011fi ve fazlas\u0131yla \u00f6nemli bir \u015fairdir.<\/p>\n\n\n\n \u00d6nemi ya\u015fam se\u00e7imleriyle m\u00fcsemmad\u0131r. \u2018Militan\u2019\u0131 \u00e7\u0131karan O, bir devrimcidir; insan(l\u0131k)\u0131 metala\u015ft\u0131ran kapitalizme meydan okuyand\u0131r; \u00fccretli k\u00f6leli\u011fe isyan edendir.<\/p>\n\n\n\n \u2018Mustafa Suphi Destan\u0131\u2019nda, \u201cDurmak olmaz ki bir kez halk i\u00e7in \u00e7\u0131kt\u0131n m\u0131 yola… Demiri tav\u0131nda d\u00f6vmek gerek ucunda \u00f6l\u00fcm de olsa…\u201d<\/a>[9]<\/sup><\/a> diye hayk\u0131r\u0131p; \u201c\u0130syan\u0131m adaletsizli\u011fe, yalana, s\u00f6m\u00fcr\u00fcye, yurt ve insan sevgisizli\u011fine, genel olarak da ya\u015fam d\u00fc\u015fmanl\u0131\u011f\u0131nad\u0131r,\u201d ifadelerini kullanand\u0131r!<\/a>[10]<\/sup><\/a><\/p>\n\n\n\n Ya da bug\u00fcnlerde, \u201cT\u00fcrkiye Cumhuriyeti yurtta\u015f\u0131n\u0131n Cumhuriyet Halk Partisi\u2019ne kar\u015f\u0131 ilgisiz ve sevgisiz olmas\u0131n\u0131 anlamakta g\u00fc\u00e7l\u00fck \u00e7ekerim\u2026 Cumhuriyetin ve halk\u0131n partisidir. \u00d6yle olmal\u0131d\u0131r. \u00d6yle olmak zorundad\u0131r,\u201d<\/a>[11]<\/sup><\/a> dese de, ge\u00e7mi\u015fte b\u00f6yle olmayand\u0131r.<\/p>\n\n\n\n \u00d6rne\u011fin \u201cDostlar\u0131 \u00f6zlemle kucaklamay\u0131 unutma\/ \u00c7ocuk sevmeyi, \u00e7i\u00e7ek koklamay\u0131 unutma\/ En zorlu an\u0131ndayken bile kavgan\u0131n\/ G\u00f6ky\u00fcz\u00fcne bakmay\u0131 unutma\u201d\u2026<\/p>\n\n\n\n \u201cBir g\u00fcn mutlaka yenece\u011fiz!\/ Bunu s\u00f6yleyece\u011fiz bin defa!\/ Sonra bin defa daha,\/ sonra bin defa daha,\/ \u00e7o\u011faltaca\u011f\u0131z mar\u015flarla\/ Ben ve sevgilim ve arkada\u015flar y\u00fcr\u00fcyece\u011fiz bulvarda\/ Y\u00fcr\u00fcyece\u011fiz yeniden yarat\u0131lman\u0131n co\u015fkusuyla\/ Y\u00fcr\u00fcyece\u011fiz \u00e7o\u011fala \u00e7o\u011fala\u201d\u2026<\/p>\n\n\n\n \u201cK\u00f6rlerin ve yetimlerin\/ T\u00fcrk\u00fcs\u00fcn\u00fc s\u00f6ylemek istiyorum\/ Yavrusu \u00f6lm\u00fc\u015f anan\u0131n\/ Hastalar\u0131n t\u00fcrk\u00fcs\u00fcn\u00fc s\u00f6ylemek istiyorum\/ Hapiste yaln\u0131z bir adam\u0131n\/ Sevgili bir y\u00fcre\u011fin t\u00fcrk\u00fcs\u00fcn\u00fc s\u00f6ylemek istiyorum\/ Karde\u015fimin, Guevara\u2019n\u0131n\u201d\u2026<\/p>\n\n\n\n \u201cCellat uyand\u0131 yata\u011f\u0131nda bir gece\/ \u2018Tanr\u0131m\u2019 dedi \u2018Bu ne zor bilmece:\/ \u00d6ld\u00fcrd\u00fck\u00e7e \u00e7o\u011fal\u0131yor adamlar\/ Ben t\u00fckenmekteyim \u00f6ld\u00fcrd\u00fck\u00e7e\u2019…\u201d<\/p>\n\n\n\n \u201cY\u0131llanm\u0131\u015f bir a\u011fa\u00e7 gibi k\u00f6kl\u00fc, g\u00fcr\/ Yalan hi\u00e7 y\u0131k\u0131lmayacakm\u0131\u015f gibi g\u00f6r\u00fcn\u00fcr\/ H\u00fckm\u00fc verilmi\u015ftir oysa:\/ Y\u0131k\u0131lacak. \u00c7\u00fcr\u00fcm\u00fc\u015ft\u00fcr\u201d\u2026<\/p>\n\n\n\n \u201cBurjuvalar kocaman duvarlarla\/ \u00c7evirmi\u015fler avlular\u0131n\u0131\/ Ama bir kiraz a\u011fac\u0131 g\u00f6rd\u00fcm ge\u00e7en g\u00fcn\/ D\u0131\u015far\u0131 uzatm\u0131\u015ft\u0131 en \u00e7i\u00e7ekli dal\u0131n\u0131\u201d\u2026<\/p>\n\n\n\n \u201cHayale, d\u00fc\u015fe, do\u011fa \u00f6tesine karn\u0131m tok\/ Cine, periye, tanr\u0131ya, iblise karn\u0131m tok\/ Adam gibi ya\u015fad\u0131m \u015fu d\u00fcnyada diyebilsem bir g\u00fcn\/ Gerisine karn\u0131m tok\u201d\u2026<\/p>\n\n\n\n \u201cYa\u015famak bu yang\u0131n yerinde\/ Herg\u00fcn yeniden \u00f6lerek\/ Zalimin elinde tutsak\/ Cahile kurban olarak\u201d\u2026 vb\u2019i dizeler Onun \u2018Militan\u2019 g\u00fcnlerindendir\u2026<\/p>\n\n\n\n \u00d6rne\u011fin bug\u00fcnlerde \u201cCumhuriyetin 100. y\u0131l\u0131na \u00f6zel bir mar\u015f yazd\u0131. Mar\u015fa D\u00fc\u015f Gezginleri de bir beste yapt\u0131. Behramo\u011flu\u2019nun mar\u015f\u0131 2023 y\u0131l\u0131nda tekrar g\u00fcndeme gelirken sosyal medyada da milyonlara ula\u015ft\u0131.\u201d<\/p>\n\n\n\n \u201cSizin yazd\u0131\u011f\u0131n\u0131z bir 100. Y\u0131l Mar\u015f\u0131 var. Neden yazmak istediniz? Nas\u0131l hislerle yazd\u0131n\u0131z?\u201d sorusunu O \u015f\u00f6yle yan\u0131tlad\u0131:<\/p>\n\n\n\n \u201c\u0130\u00e7imde zaten k\u0131p\u0131rdayan bir arzuyu Erhan Do\u011fan g\u00fc\u00e7lendirdi ve \u00e7abukla\u015ft\u0131rd\u0131\u2026 Y\u00fcz\u00fcnc\u00fc Y\u0131l Mar\u015f\u0131, d\u00f6rt k\u0131tadan ve her k\u0131ta sonras\u0131nda yine on d\u00f6rt heceli bir tekrar beytinden olu\u015fuyor. \u0130\u00e7erikte Cumhuriyet Devrimi\u2019nin emekten, \u00e7a\u011fda\u015fl\u0131ktan, bar\u0131\u015ftan yana \u00f6nemini ve de\u011ferlili\u011fini vurgulamak istedim.<\/p>\n\n\n\n \u2018Halk\u0131n ekme\u011fi gibi kutlu ve kutsal olan\u2019 ya da \u2018Cumhuriyet herkesin karde\u015fli\u011fi demektir\/ Silinsin y\u00fcreklerden kin, ku\u015fku ve d\u00fc\u015fmanl\u0131k\/ Kendi yazg\u0131m\u0131z \u015fimdi kendi elimizdedir\/ Yery\u00fcz\u00fc b\u00fct\u00fcn\u00fcyle vatan\u0131m\u0131zd\u0131r art\u0131k\u2019 dizeleri ve b\u00f6l\u00fcmleri, bu nedenle \u015fiirde en sevdi\u011fim yerlerdir…\u201d<\/a>[12]<\/sup><\/a><\/p>\n\n\n\n \u2018Militan\u2019 Ataol Behramo\u011flu, \u2018Mustafa Suphi Destan\u0131\u2019n\u0131 kaleme alm\u0131\u015ft\u0131; bug\u00fcnk\u00fc CHP\u2019li versiyonu ise, \u2018100. Y\u0131l Mar\u015f\u0131\u2019n\u0131\u2026<\/p>\n\n\n\n B\u00f6yle bir tercih farkl\u0131la\u015fmas\u0131n\u0131n; \u201cK\u00fc\u00e7\u00fck burjuva, dar ve s\u0131\u011f ya\u015fam\u0131m\u0131z\u0131, bu a\u00e7\u0131dan bakt\u0131\u011f\u0131mda hor g\u00f6r\u00fcyorum \u015fimdi,\u201d<\/a>[13]<\/sup><\/a> ifadesindeki \u00fczere, \u015fiirine de yans\u0131mamas\u0131 m\u00fcmk\u00fcn de\u011fil\u2026<\/p>\n\n\n\n Hay\u0131r, kesinlikle Onun demokratl\u0131\u011f\u0131n\u0131 ink\u00e2r ediyor de\u011filiz.<\/p>\n\n\n\n Elbette Ataol Behramo\u011flu\u2019nun, Bitlis E\u011fitim ve Tan\u0131tma Derne\u011fi (BETAV) taraf\u0131ndan d\u00fczenlenen kitap fuar\u0131ndaki s\u00f6yle\u015fisinin iptal edilmesini;<\/a>[14]<\/sup><\/a> Ayd\u0131n \u00dcniversitesi\u2019nden uzakla\u015ft\u0131r\u0131lmas\u0131n\u0131 unutuyor de\u011filiz\u2026<\/p>\n\n\n\n * * * * *<\/p>\n\n\n\n Lakin bizim i\u00e7in \u2018Militan\u2019\u0131n \u201cVe kederi de ya\u015famal\u0131s\u0131n, namusluca, b\u00fct\u00fcn benli\u011finle \/\u00c7\u00fcnk\u00fc ac\u0131lar da, sevin\u00e7ler gibi olgunla\u015ft\u0131r\u0131r insan\u0131\/ Kan\u0131n kar\u0131\u015fmal\u0131 hayat\u0131n b\u00fcy\u00fck dola\u015f\u0131m\u0131na\/ Dola\u015fmal\u0131 damarlar\u0131nda hayat\u0131n sonsuz taze kan\u0131,\u201d dizelerindeki Ataol Behramo\u011flu ba\u015fkayd\u0131.<\/p>\n\n\n\n Ac\u0131lardan ald\u0131\u011f\u0131 diplomalar\u0131\/ ni\u015fanlar\u0131yla O, kederleri namusluca ya\u015faman\u0131n \u00f6teki ad\u0131yd\u0131; dizelerindeki gibiydi hep, sapmaks\u0131z\u0131n.<\/p>\n\n\n\n \u201cBir g\u00fcn mutlaka!\u201d \u0131srar\u0131yla m\u00fcsemma \u201868\u2019ydi O; Vietnam\u2019dan \u015eili\u2019ye; Mustafa Suphi\u2019den Sivas\u2019ta yak\u0131lanlara\u2026 Has\u0131l\u0131, \u201cBar\u0131\u015f\u00e7\u0131, h\u00fcmanist, m\u00fccadeleci, isyank\u00e2r, toplumcu, devrimci\u201d<\/a>[15]<\/sup><\/a> bir \u015fairdi; duygu diliyle konu\u015fan; militan bir ayd\u0131n duru\u015fu\/ tutumu ile\u2026<\/p>\n\n\n\n T\u00fcrkiye\u2019de diktat\u00f6rl\u00fc\u011f\u00fcn dik \u00e2l\u00e2s\u0131n\u0131n ya\u015fand\u0131\u011f\u0131n\u0131 kaydederek, \u201c\u0130yili\u011fin \u00f6rg\u00fctlenmesi gerekli,\u201d<\/a>[16]<\/sup><\/a> diyen Ataol Behramo\u011flu \u015funlar\u0131n alt\u0131n\u0131 da \u00f6zenle \u00e7iziyordu:<\/p>\n\n\n\n \u201cSorgulamayan, donan bir beyin art\u0131k insani olan t\u00fcm duygular\u0131ndan s\u0131yr\u0131lm\u0131\u015f ve sadece kendi do\u011frular\u0131 i\u00e7in ya\u015fayan, bir robot h\u00e2line gelmi\u015ftir. Robotla\u015fan ki\u015fi i\u00e7in, kendi do\u011frular\u0131 d\u0131\u015f\u0131nda ya\u015fayanlar yok edilmesi gereken unsurlard\u0131r\u2026 Robotla\u015fma saridir.\u201d<\/a>[17]<\/sup><\/a><\/p>\n\n\n\n Tam da buna \u201cDur\u201d der O dizeleriyle\u2026<\/p>\n\n\n\n Kolay m\u0131? \u201cAtaol\u2019un Maltepe Askeri Cezaevi\u2019ndeyken yazd\u0131\u011f\u0131 \u015fiirler, \u2018Her \u015feye kar\u015f\u0131n, ya\u015faman\u0131n, direnmenin \u015fiirleridir,\u2019 derdi Do\u011fan H\u0131zlan…\u201d<\/a>[18]<\/sup><\/a><\/p>\n\n\n\n Ve O, bu konuda \u201cSalt yenilik\u00e7ilik zamanla eskir, bir zamanlar moda olman\u0131n getirdi\u011fi s\u00fcsler d\u00f6k\u00fcl\u00fcr, \u0131\u015f\u0131lt\u0131lar s\u00f6n\u00fckle\u015fir, par\u0131lt\u0131lar par\u0131lt\u0131l\u0131 olma \u00f6zelli\u011fini yitirir. Fakat yenilik\u00e7i olmadan da b\u00fcy\u00fck bir \u015fiir yarat\u0131lamaz…\u201d<\/a>[19]<\/sup><\/a><\/p>\n\n\n\n \u201c\u015eiirimi b\u00fcy\u00fck bir yere g\u00f6t\u00fcrmeyi ne kadar isterdim.\u201d<\/p>\n\n\n\n \u201cNefes alan \u015fiiri seviyorum; somut bir ya\u015fant\u0131 par\u00e7as\u0131n\u0131 aktaran. Kendi \u015fiirimin yerini ve geli\u015fecekse e\u011fer, geli\u015fme y\u00f6nlerini kestiremiyorum\u2026 25 ya\u015f\u0131na kadar olan \u015fairli\u011fimi \u2018K\u00f6r Bir\u2019, \u2018Bir G\u00fcn Mutlaka\u2019 gibi \u015fiirler \u00f6zetler\u2026 35 ya\u015f dolaylar\u0131ndaki \u015fiirimi \u2018Ya\u015fad\u0131klar\u0131mdan \u00d6\u011frendi\u011fim Bir \u015eey Var\u2019, 40 ya\u015flar\u0131m\u0131 ise \u2018T\u00fcrkiye \u00dczg\u00fcn Yurdum\u2026\u2019 H\u00e2l\u00e2 ya\u015famakta oldu\u011fuma g\u00f6re, \u015fiirimin belirli geli\u015fme y\u00f6nleri olmal\u0131. Yal\u0131n bir lirizm, yurdu kavray\u0131\u015f ve yans\u0131t\u0131\u015f, bazen bir destan solu\u011fu\u2026\u201d<\/a>[20]<\/sup><\/a><\/p>\n\n\n\n * * * * *<\/p>\n\n\n\n Has\u0131l\u0131, \u201cAma art\u0131k gitmek geliyor i\u00e7imden\/ Bir sabah masmavi bir bulutun pe\u015finden\/ D\u00f6n\u00fc\u015f\u00fc olmayan yerlere,\u201d dizelerinin Ataol Behramo\u011flu\u2019ndan ge\u00e7mi\u015fi ve bug\u00fcn\u00fcyle \u00e7ok \u015fey \u00f6\u011frendik\u2026<\/p>\n\n\n\n TEMEL DEM\u0130RER<\/p>\n\n\n\n N O T L A R<\/em><\/strong><\/p>\n\n\n\n <\/a>[*]<\/sup><\/a> G\u00fcney Dergisi, No:106, Ekim Kas\u0131m Aral\u0131k 2023\u2026<\/p>\n\n\n\n [1]<\/sup><\/a> Ataol Behramo\u011flu, Ya\u015fad\u0131klar\u0131mdan \u00d6\u011frendi\u011fim Bir \u015eey Var, Adam Yay., 1991, s.79.<\/p>\n\n\n\n <\/a>[2]<\/sup><\/a> Ferda Fidan, \u201cRen\u00e9 Char ve \u2018Hypnos Yapraklar\u0131\u2019\u2026\u201d, Cumhuriyet Kitap, No: 1737, 1 Haziran 2023, s.4.<\/p>\n\n\n\n <\/a>[3]<\/sup><\/a> Paul \u00c9luard, Ozan ve G\u00f6lgesi, \u00e7ev: \u00d6zdemir \u0130nce, Adam Yay., 1974, s.46<\/p>\n\n\n\n <\/a>[4]<\/sup><\/a> Canan Sal\u0131, \u201c\u015eiirin Kalbi Bir \u015eair: Veysel \u00c7olak\u201d, Cumhuriyet Kitap, No:1725, 9 Mart 2023, s.8.<\/p>\n\n\n\n <\/a>[5]<\/sup><\/a> Metin Alt\u0131ok, \u015eiirin \u0130lk Atlas\u0131, K\u0131rm\u0131z\u0131 Yay., 2006, s.57.<\/p>\n\n\n\n <\/a>[6]<\/sup><\/a> \u201cBug\u00fcn bile bir \u015fiir ancak okundu\u011fu zaman var olur; \u015fiiri hayata ge\u00e7irmek i\u00e7in ezbere bilmek, i\u00e7imizden, sessiz s\u00f6zc\u00fcklerle okumak gerekir.\u201d (Jean Pierre Vernant, Torunuma Yunan Mitleri, \u00e7ev: Mehmet Emin \u00d6zcan, Helikopter Yay., 2018, s.12.)<\/p>\n\n\n\n <\/a>[7]<\/sup><\/a> Mehmet Keskin, \u201c\u015eiir ve Eylemle Ge\u00e7en 50 Y\u0131l\u201d, Cumhuriyet, 2 \u015eubat 2015, s.15.<\/p>\n\n\n\n <\/a>[8]<\/sup><\/a> Ay\u015fe Emel Mesci, \u201cYa\u015fad\u0131klar\u0131mdan \u00d6\u011frendi\u011fim Bir \u015eey Var\u201d, Cumhuriyet, 9 \u015eubat 2015, s.14.<\/p>\n\n\n\n <\/a>[9]<\/sup><\/a> Ataol Behramo\u011flu, Mustafa Suphi Destan\u0131, Sanat Eme\u011fi Yay., 1979.<\/p>\n\n\n\n <\/a>[10]<\/sup><\/a> I\u015f\u0131l \u00c7al\u0131\u015fkan, \u201cBehramo\u011flu: \u0130syan\u0131m Ya\u015fam D\u00fc\u015fmanl\u0131\u011f\u0131na\u201d, Birg\u00fcn, 14 May\u0131s 2022, s.15.<\/p>\n\n\n\n <\/a>[11]<\/sup><\/a> Ataol Behramo\u011flu, \u201cCHP\u2019miz\u201d, Cumhuriyet, 14 Haziran 2023, s.4.<\/p>\n\n\n\n <\/a>[12]<\/sup><\/a> Orhun Atm\u0131\u015f, \u201cAtaol Behramo\u011flu\u2019ndan 100. Y\u0131l Mar\u015f\u0131\u201d, Cumhuriyet, 22 Nisan 2023, s.11.<\/p>\n\n\n\n <\/a>[13]<\/sup><\/a> Ataol Behramo\u011flu, Cezaevi G\u00fcncesi-Hapishanede Bir Sabah T\u00fcrk\u00fcs\u00fc: G\u00fcnceler 1 (Nisan-Aral\u0131k 1982), Tekin Yay., 2022, s.78.<\/p>\n\n\n\n <\/a>[14]<\/sup><\/a> Eren Aysan, \u201c\u015eiiri Yasaklamak\u201d, Cumhuriyet, 10 Haziran 2023, s.13.<\/p>\n\n\n\n <\/a>[15]<\/sup><\/a> Figen Y\u0131lmaz, D\u00fcnyayla S\u00f6yle\u015fen \u015eair, Tekin Yay., 2017.<\/p>\n\n\n\n <\/a>[16]<\/sup><\/a> Sercan Meri\u00e7, \u201cBehramo\u011flu: \u00d6nce \u0130yilik \u00d6rg\u00fctlenmeli\u201d, Birg\u00fcn, 11 Mart 2023, s.15.<\/p>\n\n\n\n <\/a>[17]<\/sup><\/a> Ataol Behramo\u011flu, \u201cMeral Ak\u015fener Ger\u00e7e\u011fi\u201d, Cumhuriyet, 30 Eyl\u00fcl 2017, s.8.<\/p>\n\n\n\n <\/a>[18]<\/sup><\/a> Hikmet \u00c7etinkaya, \u201cUmutsuz Ak\u015famlarda Bir \u015eair…\u201d, Cumhuriyet, 3 \u015eubat 2015, s.5.<\/p>\n\n\n\n <\/a>[19]<\/sup><\/a> \u201cSeyyit Nezir Sordu, Ataol Behramo\u011flu Yan\u0131tlad\u0131: Kapitalizm Can \u00c7eki\u015fiyor, Ard\u0131 S\u0131ra B\u00fct\u00fcn \u0130nsanl\u0131\u011f\u0131 S\u00fcr\u00fckl\u00fcyor\u201d, Ayd\u0131nl\u0131k, 9 Kas\u0131m 2011, s.16.<\/p>\n\n\n\n <\/a>[20]<\/sup><\/a> Ataol Behramo\u011flu, Cezaevi G\u00fcncesi-Hapishanede Bir Sabah T\u00fcrk\u00fcs\u00fc: G\u00fcnceler 1 (Nisan-Aral\u0131k 1982), Tekin Yay., 2022, s. 13-63.<\/p>\n","protected":false},"excerpt":{"rendered":" \u201c\u015eu yoksul, \u0131\u015f\u0131ks\u0131z sokaklardan ge\u00e7erken ak\u015fam\u00fcstleri Elimde...<\/p>\n","protected":false},"author":3,"featured_media":3941,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"manset":[],"class_list":["post-3940","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sectiklerimiz"],"_links":{"self":[{"href":"https:\/\/kolektifmucadele1.org\/index.php\/wp-json\/wp\/v2\/posts\/3940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kolektifmucadele1.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolektifmucadele1.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolektifmucadele1.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kolektifmucadele1.org\/index.php\/wp-json\/wp\/v2\/comments?post=3940"}],"version-history":[{"count":1,"href":"https:\/\/kolektifmucadele1.org\/index.php\/wp-json\/wp\/v2\/posts\/3940\/revisions"}],"predecessor-version":[{"id":3942,"href":"https:\/\/kolektifmucadele1.org\/index.php\/wp-json\/wp\/v2\/posts\/3940\/revisions\/3942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolektifmucadele1.org\/index.php\/wp-json\/wp\/v2\/media\/3941"}],"wp:attachment":[{"href":"https:\/\/kolektifmucadele1.org\/index.php\/wp-json\/wp\/v2\/media?parent=3940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolektifmucadele1.org\/index.php\/wp-json\/wp\/v2\/categories?post=3940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolektifmucadele1.org\/index.php\/wp-json\/wp\/v2\/tags?post=3940"},{"taxonomy":"manset","embeddable":true,"href":"https:\/\/kolektifmucadele1.org\/index.php\/wp-json\/wp\/v2\/manset?post=3940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}